![\"Irakli](\"https:\/\/baiagallery.com\/en\/wp-content\/uploads\/Irakli_Parjiani_83-400x284.jpg\")
<\/a><\/figure>Irakli Parjiani “Here comes the solar dream!”<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rIrakli Parjiani <\/strong><\/h4>\r\n\"Here comes the solar dream!\" Galaktion Tabidze<\/strong><\/h4>\r\nAt the end of the 1970s, which was still referred to as the era of socialism, various movements began to emerge in the stream of official Georgian art. Their specific features were at times determined by the influence of international art, at others by the growing non-conformist voices heard in the Soviet ...<\/div><\/article>![\"Merab](\"https:\/\/baiagallery.com\/en\/wp-content\/uploads\/Merab_Abramishvili_85-400x284.jpg\")
<\/a><\/figure><\/span><\/div>Merab Abramishvili “Plant Inaccessible Gardens…” 2016<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rMerab Abramishvili \"Plant Inaccessible Gardens...\"<\/strong><\/h4>Merab Abramishvili is a \u201cgarden architect.\u201d The world he wishes for is a garden, or rather its archetype \u2013 \u201cThe Garden of Eden.\u201d All of his works echo the topos of Paradise, and convey the pleasure of being inside the Garden, as well as the hazards of being outside the Garden. The main theme of his oeuvre is founded on the biblical story of losing the ...<\/div><\/article>![\"Guranda](\"https:\/\/baiagallery.com\/en\/wp-content\/uploads\/Guranda_Klibadze_64-1-e1713696791934-400x284.jpg\")
<\/a><\/figure><\/span><\/div>Guranda Klibadze \u201cKings and Royal Gardens\u201d 2024<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rGuranda Klibadze \u201cKings and Royal Gardens\u201d 2024<\/strong><\/h4>As a result of their extremely powerful energy, the objects in the paintings and creative field of Guranda Klibadze explode like mines. A painted flower opens and flourishes in front of our eyes; the trembling body of a horse exudes the excitement of a race; the intertwined figures of \"Adam and Eve\" and \"Medea and Jason\" demonstrate the fateful interlacing ...<\/div><\/article>![\"Kote](\"https:\/\/baiagallery.com\/en\/wp-content\/uploads\/Kote_Sulaberidze_03-400x284.jpg\")
<\/a><\/figure><\/span><\/div>Kote Sulaberidze \u201cLovely Garden\u2026\u201d<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rKote Sulaberidze \u201cLovely Garden\u2026\u201d<\/strong><\/h4>With his latest exhibition project \u201cLovely Garden\u2026\u201d Kote Sulaberidze has created a minimalistic model of the grandeur of the universe through colorfully decorated landscapes that are depicted against backgrounds of blood-colored skies.\n\nThese pictorial objects, which were produced from watercolor sketches on paper, have become a landmark concept and an exhibition project ...<\/div><\/article>![\"Nino](\"https:\/\/baiagallery.com\/en\/wp-content\/uploads\/Nino_Moseshvili_42-400x284.jpg\")
<\/a><\/figure><\/span><\/div>Nino Moseshvili “5 Vibrations”<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rNino Moseshvili \"5 Vibrations\u201d<\/strong><\/h4>\nNino Moseshvili's non-figurative paintings, which balance on the verge between abstractive and expressive shapes, present their objects in such a way that they create the impression of attending the process of disintegration and creation of a form. As such, they produce an effect of the purposeful dynamics of energy. Forms are modeled through brush strokes and color ...<\/div><\/article>![\"Tutu](\"https:\/\/baiagallery.com\/en\/wp-content\/uploads\/Tutu_Kiladze_133-400x284.jpg\")
<\/a><\/figure><\/span><\/div>Tutu Kiladze \u2018The tale of ceramics’<\/h2><\/div><\/a><\/h1>\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>Tutu Kiladze \"The tale of ceramics\"<\/strong><\/h4>\nThe positional and emotional basis of Tutu Kiladze\u2019s work lies in the na\u00efve modernist paradigm of play, the primitivistic schema of the Avant-garde, the reflection of a Dadaist toy horse, and the freedom of children's drawings, all manifested by the purest individual signature of the author. Freedom that is characteristic of childhood; the sense of safety, security and ...<\/div><\/article>![\"Vakho](\"https:\/\/baiagallery.com\/en\/wp-content\/uploads\/Vakho_Bugadze_72-400x284.jpg\")
<\/a><\/figure><\/span><\/div>Vakho Bugadze \u201cThe Caucasian Orangery\u201d<\/h2><\/div><\/p>\r
<\/a><\/h1>\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\u201cVakho Bugadze \"The Caucasian Orangery\u201d<\/strong><\/h4>\nSince the 1990s, Vakho Bugadze has been introducing into Georgian art a specific version of \"body language\" in terms of new figurativeness. Being a professional sculptor, he works using various media. He is interested in the human body and its plastic language, and shares the feelings, emotions, conflicts, and discoveries that result from bodily contact. The ...<\/div><\/article>![\"Merab](\"https:\/\/baiagallery.com\/en\/wp-content\/uploads\/Merab_Abramishvili_40-400x284.jpg\")
<\/a><\/figure>
<\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rIrakli Parjiani <\/strong><\/h4>\r\n\"Here comes the solar dream!\" Galaktion Tabidze<\/strong><\/h4>\r\nAt the end of the 1970s, which was still referred to as the era of socialism, various movements began to emerge in the stream of official Georgian art. Their specific features were at times determined by the influence of international art, at others by the growing non-conformist voices heard in the Soviet ...<\/div><\/article><\/a><\/figure><\/span><\/div>Merab Abramishvili “Plant Inaccessible Gardens…” 2016<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rMerab Abramishvili \"Plant Inaccessible Gardens...\"<\/strong><\/h4>Merab Abramishvili is a \u201cgarden architect.\u201d The world he wishes for is a garden, or rather its archetype \u2013 \u201cThe Garden of Eden.\u201d All of his works echo the topos of Paradise, and convey the pleasure of being inside the Garden, as well as the hazards of being outside the Garden. The main theme of his oeuvre is founded on the biblical story of losing the ...<\/div><\/article><\/a><\/figure><\/span><\/div>Guranda Klibadze \u201cKings and Royal Gardens\u201d 2024<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rGuranda Klibadze \u201cKings and Royal Gardens\u201d 2024<\/strong><\/h4>As a result of their extremely powerful energy, the objects in the paintings and creative field of Guranda Klibadze explode like mines. A painted flower opens and flourishes in front of our eyes; the trembling body of a horse exudes the excitement of a race; the intertwined figures of \"Adam and Eve\" and \"Medea and Jason\" demonstrate the fateful interlacing ...<\/div><\/article><\/a><\/figure><\/span><\/div>Kote Sulaberidze \u201cLovely Garden\u2026\u201d<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rKote Sulaberidze \u201cLovely Garden\u2026\u201d<\/strong><\/h4>With his latest exhibition project \u201cLovely Garden\u2026\u201d Kote Sulaberidze has created a minimalistic model of the grandeur of the universe through colorfully decorated landscapes that are depicted against backgrounds of blood-colored skies.\n\nThese pictorial objects, which were produced from watercolor sketches on paper, have become a landmark concept and an exhibition project ...<\/div><\/article><\/a><\/figure><\/span><\/div>Nino Moseshvili “5 Vibrations”<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rNino Moseshvili \"5 Vibrations\u201d<\/strong><\/h4>\nNino Moseshvili's non-figurative paintings, which balance on the verge between abstractive and expressive shapes, present their objects in such a way that they create the impression of attending the process of disintegration and creation of a form. As such, they produce an effect of the purposeful dynamics of energy. Forms are modeled through brush strokes and color ...<\/div><\/article><\/a><\/figure><\/span><\/div>Tutu Kiladze \u2018The tale of ceramics’<\/h2><\/div><\/a><\/h1>\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>Tutu Kiladze \"The tale of ceramics\"<\/strong><\/h4>\nThe positional and emotional basis of Tutu Kiladze\u2019s work lies in the na\u00efve modernist paradigm of play, the primitivistic schema of the Avant-garde, the reflection of a Dadaist toy horse, and the freedom of children's drawings, all manifested by the purest individual signature of the author. Freedom that is characteristic of childhood; the sense of safety, security and ...<\/div><\/article><\/a><\/figure><\/span><\/div>Vakho Bugadze \u201cThe Caucasian Orangery\u201d<\/h2><\/div><\/p>\r
<\/a><\/h1>\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\u201cVakho Bugadze \"The Caucasian Orangery\u201d<\/strong><\/h4>\nSince the 1990s, Vakho Bugadze has been introducing into Georgian art a specific version of \"body language\" in terms of new figurativeness. Being a professional sculptor, he works using various media. He is interested in the human body and its plastic language, and shares the feelings, emotions, conflicts, and discoveries that result from bodily contact. The ...<\/div><\/article><\/a><\/figure>
Irakli Parjiani <\/strong><\/h4>\r\n\"Here comes the solar dream!\" Galaktion Tabidze<\/strong><\/h4>\r\nAt the end of the 1970s, which was still referred to as the era of socialism, various movements began to emerge in the stream of official Georgian art. Their specific features were at times determined by the influence of international art, at others by the growing non-conformist voices heard in the Soviet ...<\/div><\/article><\/a><\/figure><\/span><\/div>Merab Abramishvili “Plant Inaccessible Gardens…” 2016<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rMerab Abramishvili \"Plant Inaccessible Gardens...\"<\/strong><\/h4>Merab Abramishvili is a \u201cgarden architect.\u201d The world he wishes for is a garden, or rather its archetype \u2013 \u201cThe Garden of Eden.\u201d All of his works echo the topos of Paradise, and convey the pleasure of being inside the Garden, as well as the hazards of being outside the Garden. The main theme of his oeuvre is founded on the biblical story of losing the ...<\/div><\/article><\/a><\/figure><\/span><\/div>Guranda Klibadze \u201cKings and Royal Gardens\u201d 2024<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rGuranda Klibadze \u201cKings and Royal Gardens\u201d 2024<\/strong><\/h4>As a result of their extremely powerful energy, the objects in the paintings and creative field of Guranda Klibadze explode like mines. A painted flower opens and flourishes in front of our eyes; the trembling body of a horse exudes the excitement of a race; the intertwined figures of \"Adam and Eve\" and \"Medea and Jason\" demonstrate the fateful interlacing ...<\/div><\/article><\/a><\/figure><\/span><\/div>Kote Sulaberidze \u201cLovely Garden\u2026\u201d<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rKote Sulaberidze \u201cLovely Garden\u2026\u201d<\/strong><\/h4>With his latest exhibition project \u201cLovely Garden\u2026\u201d Kote Sulaberidze has created a minimalistic model of the grandeur of the universe through colorfully decorated landscapes that are depicted against backgrounds of blood-colored skies.\n\nThese pictorial objects, which were produced from watercolor sketches on paper, have become a landmark concept and an exhibition project ...<\/div><\/article><\/a><\/figure><\/span><\/div>Nino Moseshvili “5 Vibrations”<\/h2><\/div><\/a><\/h1>\r\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\rNino Moseshvili \"5 Vibrations\u201d<\/strong><\/h4>\nNino Moseshvili's non-figurative paintings, which balance on the verge between abstractive and expressive shapes, present their objects in such a way that they create the impression of attending the process of disintegration and creation of a form. As such, they produce an effect of the purposeful dynamics of energy. Forms are modeled through brush strokes and color ...<\/div><\/article><\/a><\/figure><\/span><\/div>Tutu Kiladze \u2018The tale of ceramics’<\/h2><\/div><\/a><\/h1>\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>Tutu Kiladze \"The tale of ceramics\"<\/strong><\/h4>\nThe positional and emotional basis of Tutu Kiladze\u2019s work lies in the na\u00efve modernist paradigm of play, the primitivistic schema of the Avant-garde, the reflection of a Dadaist toy horse, and the freedom of children's drawings, all manifested by the purest individual signature of the author. Freedom that is characteristic of childhood; the sense of safety, security and ...<\/div><\/article><\/a><\/figure><\/span><\/div>Vakho Bugadze \u201cThe Caucasian Orangery\u201d<\/h2><\/div><\/p>\r
<\/a><\/h1>\nEnglish<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\u201cVakho Bugadze \"The Caucasian Orangery\u201d<\/strong><\/h4>\nSince the 1990s, Vakho Bugadze has been introducing into Georgian art a specific version of \"body language\" in terms of new figurativeness. Being a professional sculptor, he works using various media. He is interested in the human body and its plastic language, and shares the feelings, emotions, conflicts, and discoveries that result from bodily contact. The ...<\/div><\/article><\/a><\/figure>
At the end of the 1970s, which was still referred to as the era of socialism, various movements began to emerge in the stream of official Georgian art. Their specific features were at times determined by the influence of international art, at others by the growing non-conformist voices heard in the Soviet ...<\/div><\/article> As a result of their extremely powerful energy, the objects in the paintings and creative field of Guranda Klibadze explode like mines. A painted flower opens and flourishes in front of our eyes; the trembling body of a horse exudes the excitement of a race; the intertwined figures of \"Adam and Eve\" and \"Medea and Jason\" demonstrate the fateful interlacing ...<\/div><\/article> Nino Moseshvili's non-figurative paintings, which balance on the verge between abstractive and expressive shapes, present their objects in such a way that they create the impression of attending the process of disintegration and creation of a form. As such, they produce an effect of the purposeful dynamics of energy. Forms are modeled through brush strokes and color ...<\/div><\/article> <\/p>\r Since the 1990s, Vakho Bugadze has been introducing into Georgian art a specific version of \"body language\" in terms of new figurativeness. Being a professional sculptor, he works using various media. He is interested in the human body and its plastic language, and shares the feelings, emotions, conflicts, and discoveries that result from bodily contact. The ...<\/div><\/article><\/a><\/figure>Merab Abramishvili “Plant Inaccessible Gardens…” 2016<\/h2><\/div>
<\/a><\/h1>\r\n
English<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\r
Merab Abramishvili \"Plant Inaccessible Gardens...\"<\/strong><\/h4>Merab Abramishvili is a \u201cgarden architect.\u201d The world he wishes for is a garden, or rather its archetype \u2013 \u201cThe Garden of Eden.\u201d All of his works echo the topos of Paradise, and convey the pleasure of being inside the Garden, as well as the hazards of being outside the Garden. The main theme of his oeuvre is founded on the biblical story of losing the ...<\/div><\/article>
<\/a><\/figure>Guranda Klibadze \u201cKings and Royal Gardens\u201d 2024<\/h2><\/div>
<\/a><\/h1>\r\n
English<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\r
Guranda Klibadze \u201cKings and Royal Gardens\u201d 2024<\/strong><\/h4>
<\/a><\/figure>Kote Sulaberidze \u201cLovely Garden\u2026\u201d<\/h2><\/div>
<\/a><\/h1>\r\n
English<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\r
Kote Sulaberidze \u201cLovely Garden\u2026\u201d<\/strong><\/h4>With his latest exhibition project \u201cLovely Garden\u2026\u201d Kote Sulaberidze has created a minimalistic model of the grandeur of the universe through colorfully decorated landscapes that are depicted against backgrounds of blood-colored skies.\n\nThese pictorial objects, which were produced from watercolor sketches on paper, have become a landmark concept and an exhibition project ...<\/div><\/article>
<\/a><\/figure>Nino Moseshvili “5 Vibrations”<\/h2><\/div>
<\/a><\/h1>\r\n
English<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>\r
Nino Moseshvili \"5 Vibrations\u201d<\/strong><\/h4>\n
<\/a><\/figure>Tutu Kiladze \u2018The tale of ceramics’<\/h2><\/div>
<\/a><\/h1>\n
English<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>
Tutu Kiladze \"The tale of ceramics\"<\/strong><\/h4>\nThe positional and emotional basis of Tutu Kiladze\u2019s work lies in the na\u00efve modernist paradigm of play, the primitivistic schema of the Avant-garde, the reflection of a Dadaist toy horse, and the freedom of children's drawings, all manifested by the purest individual signature of the author. Freedom that is characteristic of childhood; the sense of safety, security and ...<\/div><\/article>
<\/a><\/figure>Vakho Bugadze \u201cThe Caucasian Orangery\u201d<\/h2><\/div>
<\/a><\/h1>\n
English<\/a>\u00a0<\/span>\u00a0\/\u00a0\u00a0Georgian<\/a>\u00a0<\/span><\/h4>
\u201cVakho Bugadze \"The Caucasian Orangery\u201d<\/strong><\/h4>\n
<\/a><\/figure>